Theatre Technical Emphasis
THE 119 – Performance Workshop
A study and application of improvisational techniques with emphasis on physical and mental awareness of self and environment. Course makes use of intuitive instincts, pantomime, theatre games and concentration exercises for teaching stage presence, confidence and discipline and identifying inhibitions.
THE 120 – Introduction to Theatre
An introduction to the elements of dramatic literature and its historical, theoretical, sociological and entertainment value in man's culture, from the classical to the contemporary period.
THE 201 – Stagecraft
An intensive study of theatre organization and technology. Emphasis is placed on scene construction, lighting, sound, costuming and make-up. Drafting is introduced. One hour lab required.
THE 125 – Oral Interpretation
A study and application of techniques used to present literature orally. The major emphasis will be on vocal effectiveness in conveying meaning, emotion and characterization.
THE 252 – Playwriting I
The study of the basic principles of playwriting is the focus of this course. From start to finish, the student will complete a one act play as the final project. The student will learn how to develop plot, character, though, diction, sound and spectacle in the original drama.
Prerequisite: ENG 102
THE 205 – Theatre History
A comprehensive survey of the theory and history of theatre from Greek periods to modern periods. It examines outstanding playwrights, productions, designers and actors.
THE 233 – Acting I
Emphasis on the training of the actor, especially physical and vocal tuning, character analysis, techniques of monologues and scene analysis in contemporary dramatic situations. Students are urged to participate in directing projects.
THE 305 – Directing I
A study of the fundamentals of directing a play. Play section, script analysis, the artistic approach, the handling of personnel and other related issues are investigated. The directing of a one-act play is required. Students in THE 233 and 333 are available for participation in directing projects.
THE 355 – Tech. Theatre Workshop I
An introduction to the construction and rigging of stage scenery and lighting. The basics of lighting and scene design for stage and television are also taught.
COM 121 – Voice & Diction
A study and application of proper techniques for achieving effective voice and diction. Topics include vocal quality, articulation, loudness, expressiveness and pitch. Class sessions include lectures, in-class presentations and exercises. In addition, students will monitor their progress through audio recordings made during the semester.
COM 350 – Research Methods in Theatre Arts
Involves basic research methods and procedures and critical analysis of selected research documents. Presents basic designs in communication, including statistical and computer procedures for analyzing data.
THE 345 – Black American Theatre
A study of historical and contemporary plays, theatre personnel and actors of Black America. It surveys the dramatic literature and producing organizations of the genre.
THE 356 – Technical Theatre Workshop II
A study of the construction of costumes, masks and special effects for the theatre.
THE 364 – Modern Drama
An intensive analysis of the works of Lbsen, Strindberg, Chekhov, Shaw, Porandello and Brecht. The class investigates the role of each playwright in a national theatre, his style and contribution to the development of a comprehensive view of modernism in the theatre. (3 Credit)
THE 403 – Scene Design
A historical survey of spectacle, from the Greeks to the present. Students learn the principles of design and produce settings for current productions. Rendering and model building are required. Drafting is essential.
THE 422 – Senior Project
Students will write, direct, act, design or choreograph a project under the direction of a Fine & Performing Arts faculty member; a written report on and oral defense of the project are required.
THE 404 – Costume Design for Theatre & Dance
A historical survey of dress in order to achieve proficiency in designing costumes for various styles of theatrical production Rendering and costume construction are required. Sewing is essential.
THE 419- Dramatic Theory & Critic
A seminar in the history and principles of dramatic criticism. The different forms and genres of literature will also be investigated.